Interviews met Sebastiaan Schlicher, Diana Blok, performances door 'Hoor 's effe', PJ Roggeband, Klaske Oenema en anderen, door Moritz Ebinger & Hans Kuiper, Radio Neverno tijdens de Museumnacht in Amsterdam.
Techniek: Alexanderos Papamarkou.
Antonio Grgic currently exhibits in Amsterdam, at the (IN)Constancy of Space exhibition in Arti et Amicitiae, at the Rokin 112. Grgic lives and works in Zagreb in Croatia. Grgic studied architecture and uses this discours in his work as visual artist.
Hans Kuiper interviews Grgic on his work, his vision on art in public space, his experience as architect and visual artist and on the role and function of ideology.
The interview is in English and takes about 1 hour.
RADIO Neverno is an art radio-podcast project by Hans Kuiper & Moritz Ebinger.
A.K. Bouwman, Amber-Helena Reisig en Moritz Ebinger
Hier kunt u podcasts van de Radio Neverno beluisteren. Radio Neverno is een kunstradio die op locatie uitzendt. De meest recente live sessies hebben plaats gehad in Arti et Amicitiae in AMSTERDAM .
Zodra u op deze website komt, start automatisch een van de vele podcasts.
Met bijdragen van onder meer Studio Kinematix, Maarten Schmidt, Dirk van Lieshout, 't Gaepend Gat & Amber-Helena Reisig, Elhabib Art (El Andalous liederen, begeleid op flamenco gitaar door Hans Kuiper), .
Performances en interviews.
Presentatie door Hans Kuiper en Moritz Ebinger.
Here you can find podcasts of RADIO NEVERNO. Radio Neverno is an Art Radio. The most recent live sessions took place in Arti et Amicitiae in Amsterdam.
A variety of guests will perform and be interviewed, like Elhabib Art, Studio Kinematix, Maarten Schmidt, Dirk van Lieshout, 't Gaepend Gat & Amber-Helena Reisig.
On the opening podcast: after a introduction by Moritz Ebinger & Hans Kuiper, Elhabib Art sings El Andalous songs. Hans Kuiper accompanies him on (flamenco) guitar.
Radio Neverno's Hans Kuiper interviewed Michael Edward Edgerton, composer and performer, currently composition professor at the Guangxi Arts University in China.
On this page you can listen to the interview and to compositions of Michael Edward Edgerton.
The interview is on his view on composition, mastering instruments and the voice in particular. The interview is in English.
Michael Edward Edgerton performing in Amsterdam (May 2016, photo Hans Kuiper)
For more information on Edgerton, see the WEBSITE LINK Michael Edward Edgerton here.
Below the 'Composition Catalogue' of Michael Edward Edgerton.
Michael Edward Edgerton - Composition Catalogue
Bio MICHAEL EDWARD EDGERTON Currently Associate Professor at the Guangxi Arts University, Michael is a composer whose work elides the boundaries of complexity with practical applications of physical and perceptual models. Since the mid-90’s he has been pioneering work with Multidimensionality and Nonlinear Phenomenon applied to sound production and composition. Michael’s compositions have received prizes and/or recognition from: 2016 fifth China-ASEAN Music Week musical composition competition, for solo piano (1st Excellent Award, Thrush, #91, 2015); der Landeshauptstadt Stuttgart, 2007 (First Prize, Tempo Mental Rap, #72, 2005); Composition Contest of the Netherlands Radio Choir, 2007 (Semifinalist, Kalevi Matus, #58, 2000); 5th Dutilleux International Composition Compétition, 2003 (Sélection, 1 sonata, #70, 2004); 31st Festival Synthese Bourges, 2001 (Sélection, The Elements of Risk in Creation, #59, 2001); MacDowell Club, 1996 (First prize, Unspoken Crime #09, 1988); Friends and Enemies of New Music, 1993 (Selection,Net/Byrinth:Rec.Study I, #15, 1991); Midwest Composers Symposium, 1989 (Selection, A Penny for the Young Guy #3, 1986); National Federation of Music Clubs, 1987 (Third Prize, Ai #5, 1987); National Federation of Music Clubs, 1987 (Honorable Mention, Dwellers of the Southwest, #2, 1986); Michigan State Univ-Orchestral Composition Contest, 1986 (First prize, The Final Diary of a Branch, #1, 1985). Michael has also been recognized in the Marquis Who’s Who in the World 2015 & 2016. His music has been performed by 441 Hz Chamber Choir, AuditivVokal Dresden, China-Asean Youth Orchestra, Ekmeles Ensemble, Ensemble Ars Nova, Guangxi Symphony Orchestra, Kairos String Quartet, Stockholm Saxophone Quartet, Quartet New Generation, Works-in-Progress Ensemble and soloists Almut Kühne, Andreas Fröhling, Angela Rademacher-Wingerath, Chatschatur Kanajan, Gary Verkade, Jan Heinke, Jeffrey Burns, Joshua Hyde, Mats Möller, Matthias Bauer, Philippe Arnaudet, Rebekka Uhlig, Stefan Östersjö, Timo Kinnunen, among others. His work has been recorded on Modern Choral Masterpieces (441 Hz Chamber Choir, Dux Records, 2015); raven, le corbeau (Escargot ma non troppo: Paris, 2012); Alles – Auβer – gewöhnlich (Auditivvokal Dresden, MusikForum Dresden 2012); ELECTRONIC VOICES (Galerie SPHN, Berlin, 2001); and has been documented in a film by Lena Giovanazzi titled, Stimmig – 10 Vokalexkursionen (Mainz: University of Applied Sciences Mainz, 2012). Michael’s work has been discussed in the following publications: Modern Accordion Perspectives #2 “Critical selection of accordion works composed between 1990 and 2010” Ed. Jacomucci (2014, Edizioni Tecnostampa, Loreto); The Techniques of Guitar Playing, by Josel and Tsao (2014, Bärenreiter); Network Science by Barabasi (2013); Pocci Catalog: the Guide to the Guitarist’s Modern and Contemporary Repertoire. Catalog of the repertoire since 1900 for guitar solo, guitar in chamber music and guitar with orchestra, by Pocci (2013, VP Music Media); Stimmig – 10 Vokalexkursionen by Giovanazzi (2012, University of Applied Sciences Mainz); When Words Are Not Enough: Tracing the Development of Extended Vocal Techniques in Twentieth-Century America, by Crump (2008, The University of North Carolina at Greensboro); New Complete Method for Clarinet: Clarinet Repertoire by Campagnolo,. (2008, Edizione C.D.B, Italy); The Encyclopedia of the World of Another Music (Svìt jiné hudby 2), by Slaby + Slaby (2007, Volvox Globator Publishing House); Weber-Lucks, Theda (2003). KörperStimmen. Eine Untersuchung zur Ästhetik Vokaler Performance Kunst mit einer gendervergleichenden Perspektive, by Weber-Lucks (2003, Technische Universität Berlin); Manuales Auditivo-Vocales; vol. 5 La Voz y el Canto & vol. 9 Manual de Psicoacústica by LaFarga (2003, Cullera); Information Arts, Intersections of Art, Science, Technology, by Wilson (2002, The MIT Press), and; On the construction of the passing of time in music, by Chandra (1989, University of Illinois at Urbana-Champaign). Michael is engaged with research into voice, acoustics and perception. This work has been supported by numerous grants, including a Postdoctoral Fellowship with the National Center for Voice and Speech. The results have been published in diverse scholarly journals, as well as book chapters in Perspectives on Teaching Singing: a celebration of Vocal Pedagogy in the 21 Century (ed. Scott Harrison and Jessica O’Bryan; Springer Publishing), and The Oxford Handbook of Singing (ed. John Nix; Oxford University Press). Edgerton has two books available: The 21st Century Voice (New Instrumentation Series, Rowman & Littlefield, 2nd ed. 2015) and Music within the Continuum (Lambert Academic Publishing, 2015).
Michael’s compositions are published by BabelScores, C. Allen Publications, Componistenwerk, Conners Publications/C.P. Press Publications; Forum Zeitgenössischer Musik Leipzig, PRB Production, T.U.B.A Press and Uetz Verlag.